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Burgundy Comes to Town
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Just the mention of next Saturday's Vintages Burgundy release brings fans to their feet with glasses held high. Of all wines, it is perhaps the least understood and most fickle. The great ones are almost impossible to buy and are always on allocation. They are sold to the most discerning retailers. Buyers from around the world are constantly scouring the countryside, visiting cellars and tasting the most recent batches from barrel. The best is always put aside for regular customers. Good Burgundy evaporates, especially once the word gets out. It means that anyone looking for something inexpensive should probably stop reading here.
More than one Burgundian producer has wondered why anyone, other than the very largest houses, would be willing to sell their best wines to the LCBO. I am told that the LCBO "buys truckloads of the lower-priced, undistinguished, Burgundy." Such producers will apparently occasionally throw the LCBO a good wine or two good wine to make their everyday listings more credible. It is challenging being a sporadic supplier because there is rarely any continuity of LCBO orders. Add to this the fact that the LCBO dictates that if their Burgundies do not have a 75% sell-through within 90 days, payment will be discounted by 25% on all remaining inventory. One asks: who the hell wants to sell to that kind of a buyer? Indeed, it's amazing that the world's largest buyer genuinely believes that it can dictate buying conditions and still get great wines. Under these circumstances, many small, independent-minded Burgundians close their collective doors to LCBO overtures. Moving on to the release, to understand and compare, Burgundy has to be appropriately grouped by the different styles reflecting each of the sub-regions. While some lump Beaujolais into the Burgundy equation (it accounts for 47 bottles out of every 100 produced), I do not. This is not to say that Gamay grape Beaujolais is inferior, it is just that it's different. For that reason, it is excluded it from my calculations below. First, there is the basic Bourgogne designation, which is essentially a generic Burgundy and accounts for 31% of production. These are usually made from Chardonnay if white, or Pinot Noir if red, coming from almost anywhere within a very large area. Note that we have a bit of a problem here because Bourgogne Rouge can also be made from declassified Gamay from one of Beaujolais' ten Cru. For that reason, the words Pinot Noir, which historically could never be used on labeling, now frequently appears. While such everyday wines can be very decent, albeit usually a bit lighter in style, they can also be dreadful. Sadly, neither of the upcoming generics is worthy of a detour. Moving on to Chablis, which only produces white wine, we find that this small region northwest of the Cote d'Or accounts for almost 17% of Burgundy production. Chablis can vary from straightforward, crisp and unoaked to big, complex and barrel-aged (certain Grand Cru).
Moving in an easterly direction, just south of the fabled Cote d'Or (which consists of Côte de Nuits and Côte de Beaune regions where most great Burgundies reside), is the most southerly Mâconnais region (about 23% of production), which is most famous for Pouilly-Fuissé and Saint-Veran. While some do not consider this to be real Burgundy territory, I have had very impressive wines from this region. Unfortunately, they are not in the upcoming release. Moving north to Côte Chalonnaise, there are five appellations (6%), which sometimes produce terrific whites at remarkable prices, especially Mercurey and Rully. To this day, I am still drinking an incredible Georges Faiveley 1986 Mercurey Blanc, which I purchased in Vintages in 1989 at around $23. It has stood the test of time, aging very slowly in a chilly 4º C cellar. Sadly, the current Vintages cupboard is bare of any comparable beauties.
Unfortunately, the only other red I can recommend comes from what I call la-la land, the Côte de Nuits (8%) just north of the Beaune It is the home of the Confrérie des Chevaliers du Tastevin whose numerous, wine swilling, hand clapping, la-la singing events take place at Chateau de Clos de Vougeot. Home of the red Burgundy giants - Chambertin, Morey-St.-Denis, Richebourg and Romanée-Conti - these are what collectors drool over. Of the group being released, Robert Arnoux's sturdy 2004 Nuits-Saint-Georges Pascal Lachaux (653022) at $49.95 is arguably the best. It has a deep intense purple colour and faintly cedary, ripe, plummy, cherry nose. On the palate, it is well structured and fairly extracty with slightly peppery, lingering, plum and dried red cherry flavours. A big wine that calls for decanting and some aging, perhaps up to five years. So that's it in a nutshell. Sadly, next Tuesday's Vintages Pre-Release Tasting of the Wines of Burgundy at the Fairmont Royal York is now sold out. It includes an additional 94 Burgundies that Vintages didn't buy, of which 75 will be available by virtual order. To see the full list of all 118 wines from 55 producers being featured at the Vintages tasting along with retail prices click here (to see the list sorted by region, click here). I also hope to have some virtual recommendations posted early next week from Terroirs et Signatures de Bourgogne, a trade-only pre-tasting event at the Fairmont Royal York Hotel organized by Sopexa Canada (featuring 245 Burgundies). These notes will be posted by 1 pm on Tuesday, February 13 prior to the trade tasting. Note that the Sopexa trade event is restricted to professional buyers only (with business cards) who can register at www.sopexacanadaevents.com Please note that all
of today's recommendations Pick of the Week
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